Showing posts with label Ghostface Killah. Show all posts
Showing posts with label Ghostface Killah. Show all posts

Monday, June 01, 2015

Hey!zeus.i 'Holy Cow' ft. Strange U & Jehst plus Ghostface Killah & Elzhi


Check out this slice of Psychadlic Bovine illness from the Young N Restless camp; Hey!zeus.i asking the important question "....if the lands barren where you graze your flock?" and Kashmere of Strange U giving the sage advice ".......get creative" this tripped out marvelously hypnotic track is completed by The High Plains Drifter kicking in a holy cash cow earning verse. Great to be hearing this original business, great music should be appreciated by all.

And if that's not quite enough high powered lyricism for you check out the new Tony Starks LP "Sour Soul", a tour de force of paired back rhymes allowing a soundscape to showcase some of the illest flows in the game.  As Pretty Tony spits....

Stand the fuck up like Flav to fight the power
I'm an activist, socialist, deadly ass poetrist
Supreme Clientele, I'm a goddamn vocalist
My thoughts are so heavy I could change a generation
The x-factor, we puttin' holes through inflation




Monday, March 29, 2010

Chima Anya 'Death' and 'Nu-Wu 'Massacre!' Macarbe March!!

After smashing the set supporting the incredible Brother Ali at Cargo last week, Chima's hustle is reaching hectic levels in anticipation of the 'New Day' Album release on April 9th at Barfly, Camden. Check the trailer for the video of the heavy heavy heavy track 'Death'and if you can pass it around, the full video will be released when 1,000 views on Youtube are clocked!

Can't leave a post with just a trailer so tuck into this slice of niceness from the forthcoming 'Wu Massacre' Project with Meth, Rae and Ghost...collector edition artworks to boot, out 30th March...


And Finally...for all you hip hop goers or old school Brum heads who remember Fat Gold Chain...there may soon be a resurgence of the heaviest live organic hip hop nights in London...Join the Facebook Group to get involved! Peace

Thursday, June 25, 2009

New Wu Tang ft Havoc

Ghostface, RZA and Havoc rip up this beat in classic Wu style with supreme mathematics references and all, this one's a grower. In anticipation of the New Wu album (or compilation) out at the end of the month. Wu Tang

Sunday, June 21, 2009

Ghostface and what makes a great emcee?


I Was privileged to catch Ghostface Killah live in Auckland, New Zealand the other night and found out how unfit I am after a load of jumping; along with my girlfriend throwing up W's. It was a great show with a lot of love shown from both views of the stage. At one point it made me think as Ghost stated his confusion within rap at the ridiculous proliferation of substance less music from rappers swamping the market with garbage pop rap. Listening to the classic verses and tracks Ghost smashed through in a great show, and his explanation of how a story rhyme might be constructed intricately over a matter of weeks, made me wonder about the exact composition of artists who truly excel in the field of hip hop. Here is my plea for you, if you love hip hop, to help go someway towards answering this question.

What makes a great emcee?

Rappers, emcees and hip hop artists are constantly being judged, analyzed, scandalized, derided, despised and idolized respectively depending on who you speak to. So what makes 'good' hip hop music? For many the negative aspects of hip hop are a major talking point. Why are hip hop lyrics often overwhelmingly violent, misogynist and nihilistic; is this having such a negative impact on society as some claim, or is it, as is often stated in rebuttal, a reflection of a harsh street life and environment that is apparently created around a group or individual by forces out of their control. Either way, does your opinion over such matters then get taken into consideration of the artistic skill of narratives by artists such as Mobb Deep. How does the music and beats affect how a rapper is rated what about the arrangement of hooks, bars, singing, scratches? How do live instruments, a DJ, beat boxers etc influence how heavy an emcee is, live or recorded. And from other artistic perspectives, what sort of categories could be made for the skills involved in rapping and does the 'image' of the particular emcee affect how relevant or artistic the lyrics are? Does the ultra complexity and advanced subject matter of Canibus make him a more intelligent rapper than Rakim? How does KRS One match up to Cannibul Ox, or Roots Manuva to Lil Wayne, Bahamdia to Fiddy Cent, Immortal Technique to Jay Z, Aesop Rock to Scarface, Biggie to Killah Priest or Big L to Eminem. Is Location, Political, Gender, Race or Religion specific rap or sub genres such as 'geek core' rap more or less important when talk of 'keeping it real or true to yourself' in light of many stereotype fulfilling fabricated characters? The debate could go on infedinitely. Hopefully it will, please join the debate add your comments here or on the Vocalswords discussion boards. Cheers!